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press reviews



Venus and Adonis - Transition Opera, Christian Curnyn, February 2009
there was impressive singing from the countertenor Andrew Radley (Cupid)
- The Times, Richard Morrison


Venus and Adonis - Transition Opera, Christian Curnyn, February 2009
a quirky Cupid... Andrew Radleys Cupid was lively and enjoyable throughout, with a strong vocal performance that carried well
- MusicalCriticism.com


Flight - British Youth Opera, Nicholas Cleobury, September 2008
the Refugee, outstandingly sung bythe counter-tenor Andrew Radley. The latters account of his escape to the west during which his brother froze to death is a musical and emotional peak
- Opera


Flight - British Youth Opera, Nicholas Cleobury, September 2008

Andrew Radley's touching Refugee
- The Times


Flight - British Youth Opera, Nicholas Cleobury, September 2008

... the Refugee, sung with appropriate otherworldliness by Andrew Radley
- Opera Now


Giulio Cesare - Freiburger Barockorchester, Jacobs, June 2008
Andrew Radley (Nireno), vocally enticing and dramatically involved, formed a very sympathetic pairing with Sandrine Piau as her acolyte and accomplice.
- ResMusica.com


Handel's Poro - 2006 Goettingen Festival
"Young British countertenor Andrew Radley stepped in as a last- minute replacement singing the role of Gandarte. He acquitted himself extremely well both dramatically and musically...”
- Opera Magazine


Handel's Tamerlano - Cambridge Handel Opera Group, 2005
"Countertenor Andrew Radley has a strong stage presence and his Tamerlano rightly often dominated the stage. Radley seemed at ease with the complex passage-work that characterises some of Tamerlano's arias. I look forward to hearing and seeing much more of Andrew Radley as he seems a natural stage creature."
- Robert Hugill, MV Daily


Handel's Tamerlano - Cambridge Handel Opera Group, 2005
"Tamerlano himself, sung by the commanding Andrew Radley, was suitably repellent"
- Opera magazine


Handel's Flavio, Early Opera Company, 2005
"
[Flavio] is not a heroic role, but Handel wrote it for the castrato Berenstadt ... and the countertenor Andrew Radley seized his opportunities, with strongly projected singing, to make something of the king's wayward character."
- Opera magazine
 

Handel's Susanna, Early Opera Company, 2003
"Rachel Nicholls enthralled [...], balancing her loving duets with the countertenor Andrew Radley's creamy, well-phrased Joachim."
- Opera magazine
 

"One of the UK's most promising young singers"
- Chester Chronicle, 2004



 



 

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